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La correspondance entre Henri Poincaré et les physiciens, chimistes et ingénieurs = The correspondence between Henri Poincaré and physicists, chemists and engineers
Cosmic microwave background radiation is the residue of the great heat following the Big Bang. A tenuous sign, over 13 billion years old, in which the answers to many of the questions about the nature of our Universe are hidden. Discovered by chance in 1964, in the last forty years this fossil trace of the origins of the Cosmos has been explored with every available means. Two Nobel Prizes in physics have already been awarded for research involving it, the last in 2006 for the results of the COBE satellite. Much of the information encoded in the cosmic background radiation was impressed by the superimposition of acoustic waves present in the early Universe: a "music" of the Big Bang, which cosmologists have tried for years to reconstruct, using techniques similar to those that allow to distinguish the sound of different musical instruments. Only recently have the first notes of this extraordinary cosmic symphony finally been revealed, but the investigation is not over yet. This book illustrates, with a language suitable even for non-specialists, the theories, observations and discoveries that have brought cosmology into a new era.
Actors and the Art of Performance : Under Exposure
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
