الصفحة 1
الصفحة 1
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Modern Theatres 1950–2020

Explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950 – 2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This beautifully illustrated book is also a must-read for architects, theater designers, theatre historians, and theatre practitioners.

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Interactive Music Center

مع تقدم الأزمنة وتطور الحضارات وظهور الشباب الحيوي كانت الموسيقى مصدر جذب الشباب اليافع بالإضافة لكونها مهنة ومصدر دخل العديد جاء مركز هارموني ليجمع اهداف الموسيقى العديدة باختلافها سواء الترفيهي او الثقافي أو التعليمي في مكان واحد وبهذا فان الهدف الأساسي من المشروع هو خلق بيئة جاذبة لمتذوقي الموسيقى بشتى الوسائل وباختلاف الطرق سواء الكترونية تفاعليه أو محسوسة.

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Acoustics and Hearing

When one listens to music at home, one would like to have an acoustic impression close to that of being in the concert hall. Until recently this meant elaborate multi-channelled sound systems with 5 or more speakers. But head-related stereophony achieves the surround-sound effect in living rooms with only two loudspeakers. By virtue of their slight directivity as well as an electronic filter the limitations previously common to two-speaker systems can be overcome and this holds for any arbitrary two-channel recording. The book also investigates the question of how a wide and diffuse sound image can arise in concert halls and shows that the quality of concert halls decisively depends on diffuse sound images arising in the onset of reverberation. For this purpose a strong onset of reverberation is modified in an anechoic chamber by electroacoustic means.

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