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This first part of the introduction draws attention to some of thekey features, relations, and distinctions Husserl uncovers in his in-vestigations of presentation and the various forms of re-presentation,focusing particularly on how their respective objects appear. The sec-ond part considers Husserl’s evolving understanding of how acts ofre-presentation are “constituted,” that is, how, thanks to their structure,they are able to “intend” or be conscious of their objects , Although Husserl is chiefly concerned with intuitivere-presentation in this volume, perception is never far from the centerof discussion. This is not surprising, given that Husserl describes per-ception as “presentation,” and memory, phantasy, and their kindred